CYRANO (2021)
“I don’t really dig on musicals but this was good overall”
Read MoreDON'T LOOK UP (2021)
“we need to drink the righteous slurry that we made of our own ignorance and willfulness”
Read MoreBELFAST (2021)
“the epitome of safe family friendly pseudo-arthouse that might delight but never challenge”
Read MoreTHE HARDER THEY FALL (2021)
“absolutely fun, fresh but referential, tropey western romp.”
Read MoreTHE FRENCH DISPATCH (2021)
“If you want an Anderson film, you get it, but in a gluttonous gorging.'“
Read MoreLAST NIGHT IN SOHO (2021)
“A creepy but uneven love letter to vibrant giallo films postmarked by way of London.”
Read MoreNO TIME TO DIE (2021)
“an enjoyable and perfectly solid entry”
Read MoreSHANG-CHI AND THE LEGEND OF THE TEN RINGS (2021)
I am on board with where Shang Chi and Katy go from here.
Read MoreTHE SUICIDE SQUAD (2021)
“Solid dumb fun adult spectacle that is an easy crowd pleaser”
Read MoreBREAKING SURFACE (2020)
“Lean, anxious, and gripping.”
Read MoreJESUS SHOWS YOU THE WAY TO THE HIGHWAY (2020)
“Referential, re-interpretive, rebellious, and above all, ridiculous”
Read MoreBLOOD RED SKY (2021)
“A fun, well cast, and pathos permeated tale of vampires on a plane”
Read MoreLAPSIS (2020)
“science fiction satire about the gig economy, Big Tech, and the battle against stifling capitalism”
Read MoreBLACK WIDOW (2021)
“no gods and very few super powers, just mostly people battle people for personal dramatic reasons and not to save the universe”
Read MoreAN UNKNOWN COMPELLING FORCE (2021)
“A solid and well-rounded examination of the immutable mystery of the Dyatlov Pass incident.”
Read MoreLUCA (2021)
“it is disappointing that it wasn’t able to make a splash theatrically”
Read MoreGREENLAND (2020)
“Greeny is a reverse hourglass film; the beginning and ending are generally average and somewhat dumb, but the middle is robust, gritty, and stirring.”
Read MoreTHOSE WHO WISH ME DEAD (2021)
Sheridan is good at this “rural action thriller” genre
Read MoreOVER THE MOON (2020)
“A sweet kid’s film that embraces heritage and heart.”
Read MoreTHE MAN WHO SOLD HIS SKIN/QUO VADIS, AIDA? (2020)
“A couple of politically charged and vitally felt dramas about refugees, but I would definitely speak to my embracing of Man over Quo”
Read More