THE SMASHING MACHINE (2025)
“An unlanded blow”
Read MoreTHE SECRET AGENT (2025)
“Dripping. Contoured. Fascinatingly edited and stylishly shot. Huge recommend”
Read MoreSONG SUNG BLUE (2025)
“Unoffensive and it’s hard to hate that much Neil Diamond tunes crammed into a tight space.”
Read MoreSENTIMENTAL VALUE (2025)
“another winner for Trier”
Read MoreSINNERS (2025)
“speaks to the zeitgeist and is pleasing the crowd”
Read MoreSOCIETY OF THE SNOW (2023)
"A story drilled down on and fleshed out with deft skill and maximized effort'
Read MoreSIXTY MINUTES (2024)
"it scratches the itch that it intends to"
Read MoreSALTBURN (2023)
"Horned up talented Mr. Ripley for your 20s was quite involving, slithering and writhing..."
Read MoreSILENT NIGHT (2023)
"Yuletide Deathwish John Q. PubWick"
Read MoreSPIDER-MAN: ACROSS THE SPIDER-VERSE (2023)
“not just good; great, but not perfection”
Read MoreSISU (2023)
“older Finnish Wick merc’in Nazis was a pretty apt description”
Read MoreSHAZAM! FURY OF THE GODS (2023)
“just blah and pedestrian - certainly nothing super about it”
Read MoreTHE SEA BEAST (2022)
“The water effects are pretty spectacular”
Read MoreSHARK SIDE OF THE MOON (2022)
“Straight to video schlock doesn’t need to be good but it does need to be fun.”
Read MoreTH SADNESS (2021)
“it just wanted to molest eye sockets and grind genitals against barbwire”
Read MoreSPENCER (2021)
“agreeable to a point”
Read MoreSPIDER-MAN: NO WAY HOME (2021)
“More is not merrier.”
Read MoreSILENT NIGHT (2021)
“juxtaposition of holiday romp and apocalyptic horror”
Read MoreSNAKE EYES (2021)
“The poor parts were accentuated and the possibilities with talent and thought wasted.”
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