THE SMASHING MACHINE (2025)
“An unlanded blow”
Read MoreSONG SUNG BLUE (2025)
“Unoffensive and it’s hard to hate that much Neil Diamond tunes crammed into a tight space.”
Read MoreHAMNET (2025)
“ whimsical and wrenching tale of love, loss, and art”
Read MoreBLUE MOON (2025)
“probably not get seen nor appreciated the way it deserves”
Read MoreA COMPLETE UNKNOWN (2024)
“Timmy brings it and gets blown away in the gusty wind of the mysterious Bob Dylan.”
Read MoreGOLDA (2023)
"just a bit murky and bogged down by the events and politics it surrounds"
Read MoreNYAD (2023)
"perseverance pays off as it gets there and those involved really shine as to how extraordinary they are"
Read MoreRUSTIN (2023)
"Domingo is soulful and strong. The rest of the film, not so much."
Read MoreSOCIETY OF THE SNOW (2023)
"A story drilled down on and fleshed out with deft skill and maximized effort'
Read MoreNAPOLEON (2024)
"What a boring slog this “history class come to life” is"
Read MoreOPPENHEIMER (2023)
“One of Nolan’s best? Debatable, but Oppenheimer is a force all its own and worthy of blowing your mind.”
Read MoreELVIS (2022)
“dull bombastic affair”
Read MoreARGENTINA, 1985 (2022)
“a tobacco stained real-life political thriller”
Read MoreBLONDE (2022)
“a tapestry of disdain and depression; for progenitor, protagonist, and participant.”
Read MoreTÁR (2022)
“A fascinating film that I didn’t love but I strangely admire.”
Read MoreFLEE (2021)
“rotoscoping of this autobiographical journey allows the world and the past to open up to us”
Read MoreBEING THE RICARDOS (2021)
“fairly crisp in its approach”
Read MoreTHE EYES OF TAMMY FAYE (2021)
“Jessica Chastain and the makeup department were pulling double their weight”
Read MoreTICK, TICK...BOOM!
“COMPLETELY wasn’t for me”
Read MoreSPENCER (2021)
“agreeable to a point”
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