POOR THINGS (2023)
“This Frankensteinian exploration into introspective actualization is a hoot and you totally should”
Read MoreOPPENHEIMER (2023)
“One of Nolan’s best? Debatable, but Oppenheimer is a force all its own and worthy of blowing your mind.”
Read MoreKILLERS OF THE FLOWER MOON (2023)
“the whole felt disjointed, loose and disappointing for 3.5 hrs”
Read MoreHOW TO BLOW UP A PIPELINE (2023)
“refreshing to revel and root for the “criminal” in their quest for achievement in havoc”
Read MoreCREED III (2023)
“this pairing jumps off the screen as one I want to see again and again in the future”
Read MoreELVIS (2022)
“dull bombastic affair”
Read MoreMARCEL THE SHELL WITH SHOES ON (2022)
“most adorable movie of the year”
Read MoreCLOSE (2022)
“subtly knifing youth acting”
Read MoreARGENTINA, 1985 (2022)
“a tobacco stained real-life political thriller”
Read MoreBARDO: FALSE CHRONICLE OF A HANDFUL OF TRUTHS (2022)
“like grains of sand falling through your fingers, it left me unfulfilled”
Read MoreEMPIRE OF LIGHT (2022)
“It’s all steak, no sizzle.”
Read MoreTHE QUIET GIRL (2022)
“it wasn’t just a clever title”
Read More2023 OSCAR LIVE ACTION SHORTS
“Perhaps not the strongest grouping but, like the docs, not full of depression and sadness”
Read MoreWOMEN TALKING (2022)
“Being a worthy story does not a good movie make”
Read MoreMRS. HARRIS GOES TO PARIS (2022)
“1950s period piece about haute couture clothing is a film TAILOR MADE for a costuming Oscar nod”
Read MoreLIVING (2022)
“Just watch Ikiru”
Read MoreTHE WHALE (2022)
“extremely emotionally manipulative but without completely sacrificing its worthiness”
Read MoreTO LESLIE (2022)
“She is master of the screen and drug me into the dusty distance”
Read MoreCAUSEWAY (2022)
“a solid workmanlike tight 90”
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