KAJILLIONAIRE (2020)
“strings holding this shaky structure together were gaunt and my amusement was abortive”
Read MoreWONDER WOMAN 1984 (2020)
“They took all the good will, expectation, excitement and hope from the best DCU film to date and gratuitously squandered it.”
Read MoreFUNNY BOY (2020)
“at once too thin and overstuffed simultaneously”
Read MoreWOLFWALKERS (2020)
“Endearing and touching, as most almost all Cartoon Saloon films are”
Read MoreTHE NEST (2020)
“subtle cryptic spirit of dourness that torments the film”
Read MoreMA RAINEY'S BLACK BOTTOM (2020)
“delivers power, emotion, and a vivid cinematic ferocity”
Read MoreTHE MIDNIGHT SKY (2020)
“feels like a Hallmark meets SyFy Channel feature with money from a bigger studio & stars”
Read MoreGREYHOUND (2020)
A dadfernoon WWII fanservice extravaganza
Read MoreCOLLECTIVE (2020)
“might be the best journalism doc or film I have ever seen”
Read MoreROGUE (2020)
“prospects for a mercenaries vs. wild lion starring Megan Fox were pretty low in my estimation, so being vaguely competent felt pretty substantial”
Read MoreLUCKY GRANDMA (2020)
“enjoyable and chain-smokingly jaunty”
Read MoreANYTHING FOR JACKSON (2020)
“A rejuvenating original, spooky, and wisely done horror film”
Read MoreSOUND OF METAL (2020)
“A moving and engrossing character piece which Ahmed delivers the best performance of his young career”
Read MoreSORRY WE MISSED YOU (2020)
“a naturalness that invites and embeds within you”
Read MoreMANK (2020)
“An animated and blustery silver-tongued affair”
Read MoreRUN (2020)
“Her terror and struggle is palpable”
Read MoreHILLBILLY ELEGY (2020)
“not enjoyable, enriching, or a satisfactorily detailed tale”
Read MoreFATMAN (2020)
“leaving any cheer in the trailer and deliberate interest a spent ember of hope”
Read MoreRELIC (2020)
“blends metaphor and malicious materiality into a creeping dread”
Read MorePORNO (2020)
“The cock carnage and ball batterment was top-notch”
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