RUSSKIY REYD (RUSSIAN RAID) (2020)
“a vodka soaked, kalashnikov wielding, and Cossack dancing Siberian savage take”
Read MoreTHE UNITED STATES vs. BILLIE HOLIDAY (2020)
“Day does a fantastic job, bringing the drama and the vocal chops, but the film lacks otherwise.”
Read MoreLOVE AND MONSTERS (2020)
“I wanted the main character to parish”
Read MoreBOSS LEVEL (2021)
“to zone out and enjoy some mindless over-the-top, only done for the fun of it action, this one might be your very own LEVEL UP”
Read MoreDUNE DRIFTER (2020)
“throws its middleweight pounds behind its punches to land some stiff shots”
Read MoreNEWS OF THE WORLD (2020)
“The “news” it brings is all very subdued and lame.”
Read MoreLUZ: THE FLOWER OF EVIL (2019)
“moments of splendor paired with the jumbled cultish familial strife”
Read MoreTHE LITTLE THINGS (2021)
“Trying to recapture the gritty and disturbed fortitude of 90s Denzel Washington crime thrillers, but failing”
Read MoreSHADOW IN THE CLOUD (2021)
“pulse-pounding faire, its bounds were too astronomical and its drama thoroughly grounded”
Read MoreKAJILLIONAIRE (2020)
“strings holding this shaky structure together were gaunt and my amusement was abortive”
Read MoreFUNNY BOY (2020)
“at once too thin and overstuffed simultaneously”
Read MoreGREYHOUND (2020)
A dadfernoon WWII fanservice extravaganza
Read MoreRUN (2020)
“Her terror and struggle is palpable”
Read MoreTHE MAN WHO FEELS NO PAIN (2019)
“a martial arts superhero-type adventure, via Indian sensibilities and culture smashed with a flamboyant American aesthetic”
Read MoreBORAT SUBSEQUENT MOVIE FILM (2020)
“the luster and novelty of Borat has diminished”
Read MoreVIOLENCE VOYAGER (2019)
“a little succor at the sinewy teat of the strange”
Read MoreTHE HOLE IN THE GROUND (2019)
“Hole is an enticing creeper that gives a little too much away”
Read MoreBIT (2020)
‘Female empowered vampires that keeps the genre fresh and femme”
Read MoreDEEP BLUE SEA 3 (2020)
“I am saying it’s worth taking a bite out of”
Read MoreSPUTNIK (2020)
“smooth and classy seemingly decent budgeted Russian sci-fi that has a serious half of a problem”
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