THE TWO POPES (2019)
“Pryce was so tangible and realized; a fantastic performance”
Read MoreTHE ART OF SELF-DEFENSE (2019)
“A diatribe about the unsavory nature of toxic masculinity, told in a quirk-filled humorous way”
Read MoreGENERAL MAGIC (2018)
“enjoy this tech ride and see where our now ubiquitous technology came from”
Read MoreLITTLE WOMEN (2019)
“I laughed, I kind of cried (welling up counts), and I relished near each moment.”
Read MoreMIDSOMMAR (2019)
“the film is a work of unease and art”
Read MoreDOLEMITE IS MY NAME (2019)
“Perhaps the most outright fun time I have had in the theater this year”
Read MoreTHE GANGSTER, THE COP AND THE DEVIL (2019)
“it really is Is just f*cking cool”
Read MoreKNIVES OUT (2019)
“his is Rian Johnson’s best film in years and a damn fun way to spend an afternoon at the movies”
Read MoreTHE LIGHTHOUSE (2019)
“A swirling cacophony of darkness, crashing water, creeping visions”
Read MoreTHE FAREWELL (2019)
“fairly fantastic film that kind of evokes that tender emotion”
Read MoreSPIDER-MAN: FAR FROM HOME (2019)
“He is emblazoning the Spider-ness and Peter-ness - full tingle!”
Read MoreTOY STORY 4 (2019)
“Was it also as good as its Toy Story brethren?.. Yes. Of course it was. It was really good”
Read MoreBOOKSMART (2019)
“a breath of fresh air, and though not as amazing as I had hoped”
Read MoreHAIL SATAN? (2019)
“My inner Satanist was delighted with this funtertaining peek behind the black robe”
Read MoreCAN YOU EVER FORGIVE ME? (2018)
“Sardonic wit doesn’t mask the malevolent melancholy”
Read MoreFREE SOLO (2018)
‘Captivating as we all hang on the cliff face with him”
Read MoreRBG (2018)
“superb job of capturing the importance she has brought to the citizenry and the heartfelt relationships of her life”
Read MoreIF BEALE STREET COULD TALK (2018)
“A cinematic art piece with thumping jazz accentuating the smoky swirls, both literal and figurative. “
Read MoreTHE FAVOURITE (2018)
“A wicked delight with a distinctly downtrodden and bitter aftertaste.”
Read MoreKILLING OF A SACRED DEER (2017)
“I can never be sure if I like it, but I envy its complexity and foreignness”
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