NOMADLAND (2020)
“The crush of modern society and the new gig economy juxtaposed with the idyllic & frett freedom of the wayfarer”
Read MoreA PROMISING YOUNG WOMAN (2020)
“immersive and corrosive and subversively eruptive”
Read MorePOSSESSOR (2020)
“Possessor strikes me as the kind of understated brilliance that will be looked back upon as staggering and seminal”
Read MoreCRIP CAMP (2020)
“truly grapples that cold hollow walnut that I call a heart”
Read MoreFEELS GOOD MAN (2020)
“the symbiosis of ideas and the Internet”
Read MoreNEVER RARELY SOMETIMES ALWAYS (2020)
“dislodges you from complacency and thrusts you into the experience of this woman”
Read MoreHONEYLAND (2019)
“Stellar human drama on par with anything”
Read MoreFOR SAMA (2019)
“a record not only for her daughter but for the world, to see what we allowed to happen”
Read MoreI LOST MY BODY (2019)
“completely entrancing mix of bizarre adventure, a cinematic interpretation of sense memory, a coming of age romance”
Read More1917 (2019)
“aligns itself well in the annals of indisputable cinematic glory”
Read MoreUNCUT GEMS (2019)
“masters of their craft putting me in a hole of pulverizing despair”
Read MoreMARRIAGE STORY (2019)
“engaging humor, mundane naturalness, and profound pain”
Read MoreLAST BLACK MAN IN SAN FRANCISCO (2019)
“Instantly unique, specifically gorgeous, and blatantly powerful”
Read MoreMONOS (2019)
“Lord of the Flies meets Kids as they journey down the dark river of Apocalypse Now”
Read MoreAPOLLO 11 (2019)
“had me feeling the danger and excitement,”
Read MoreAVENGERS: ENDGAME (2019)
“Avengers Endgame can be summed up in one word: satisfying”
Read MoreCOLD WAR (2018)
“There is a magical mix of grim and bittersweet, with each frame and each scene housing a hope, hidden in the reluctantly oppressive. “
Read MoreSHOPLIFTERS (2018)
“Shoplifters slowly coils you in an entrancingly satisfying blanket of warmth and affection from the bitter cold of the world around. “
Read MoreTHE RIDER (2017)
“A lithe and sad tumbleweed blowing across the echoed loneliness of crippled dreams and flittered glory”
Read MoreYOU WERE NEVER REALLY HERE (2017)
“a hard film that sits like a dark passenger with you long after the credits end”
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