LITTLE WOMEN (2019)
“I laughed, I kind of cried (welling up counts), and I relished near each moment.”
Read MoreCATS (2019)
“watching them writhe, undulate, and profess their passion for some mystical unknown through indecipherable gibberish”
Read MoreUNCUT GEMS (2019)
“masters of their craft putting me in a hole of pulverizing despair”
Read MoreMIDSOMMAR (2019)
“the film is a work of unease and art”
Read MoreAD ASTRA (2019)
“ sociopathically serene space-by-the-numbers”
Read MoreTHE IRISHMAN (2019)
“it was missing the magic of his true gangster classics, simply providing a capable facsimile”
Read MoreMARRIAGE STORY (2019)
“engaging humor, mundane naturalness, and profound pain”
Read MoreLAST BLACK MAN IN SAN FRANCISCO (2019)
“Instantly unique, specifically gorgeous, and blatantly powerful”
Read MoreMONOS (2019)
“Lord of the Flies meets Kids as they journey down the dark river of Apocalypse Now”
Read MoreDOLEMITE IS MY NAME (2019)
“Perhaps the most outright fun time I have had in the theater this year”
Read MoreTHE AERONAUTS (2019)
“once they ascend to the heavens, so does the intensity, the excitement, and the thrill of movies”
Read MoreTHE GANGSTER, THE COP AND THE DEVIL (2019)
“it really is Is just f*cking cool”
Read MoreKNIVES OUT (2019)
“his is Rian Johnson’s best film in years and a damn fun way to spend an afternoon at the movies”
Read MoreA BEAUTIFUL DAY IN THE NEIGHBORHOOD (2019)
“It is a good movie, but I did not see the amazement or teary-eyed bliss that so many others do”
Read MoreJOJO RABBIT (2019)
“torturous horror bleeds through the smiles and frivolity”
Read MoreTHE KING (2019)
“finely crafted and enjoyable breeze, at least as far as old English tales of royal intrigue go”
Read MorePARASITE (2019)
Fan-f*cking-tastic!
Read MoreFORD v FERRARI (2019)
“intermittently exciting sports car that I had no interest in driving”
Read MoreHIGH LIFE (2018)
“Quite interesting, but also more of a conundrum than a mysterious journey.”
Read MoreTHE LIGHTHOUSE (2019)
“A swirling cacophony of darkness, crashing water, creeping visions”
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