STARDUST (2020)
“Let me worship at my deity’s feet instead of listlessly withering into his flawed and restrained humanity”
Read MoreNEWS OF THE WORLD (2020)
“The “news” it brings is all very subdued and lame.”
Read MoreNOMADLAND (2020)
“The crush of modern society and the new gig economy juxtaposed with the idyllic & frett freedom of the wayfarer”
Read MoreSAINT MAUD (2021)
“trapped terror of dark catholic femininity”
Read MoreMINARI (2021)
“the struggle of growing up, growing anew, and growing together - in land and in heart”
Read MoreTHE LITTLE THINGS (2021)
“Trying to recapture the gritty and disturbed fortitude of 90s Denzel Washington crime thrillers, but failing”
Read MoreRELENTLESS (2020)
“a swim through the possibilities is better than the film’s sink to the water logged bottom”
Read MoreMASS (2021)
“cutting journey on the double edged sword of pain that is the lonely search for truth of the parents of a mass shooting”
Read MoreALONE (2020)
“stripped down terror chase”
Read MoreANOTHER ROUND (2020)
“Dismaying and droll, depending on which side that bottle cap falls for you”
Read MoreA PROMISING YOUNG WOMAN (2020)
“immersive and corrosive and subversively eruptive”
Read MoreBAD EDUCATION (2020)
“Hugh Jackman killed it”
Read MoreKAJILLIONAIRE (2020)
“strings holding this shaky structure together were gaunt and my amusement was abortive”
Read MoreFUNNY BOY (2020)
“at once too thin and overstuffed simultaneously”
Read MoreTHE NEST (2020)
“subtle cryptic spirit of dourness that torments the film”
Read MoreMA RAINEY'S BLACK BOTTOM (2020)
“delivers power, emotion, and a vivid cinematic ferocity”
Read MoreTHE MIDNIGHT SKY (2020)
“feels like a Hallmark meets SyFy Channel feature with money from a bigger studio & stars”
Read MoreGREYHOUND (2020)
A dadfernoon WWII fanservice extravaganza
Read MoreLUCKY GRANDMA (2020)
“enjoyable and chain-smokingly jaunty”
Read MoreSOUND OF METAL (2020)
“A moving and engrossing character piece which Ahmed delivers the best performance of his young career”
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