PORTRAIT OF A LADY ON FIRE (2019)
“sheer artistry in motion, every magical moment”
Read MoreREVENGE (2017)
“dust covered neon gunshot to that new pseudo-genre”
Read MoreBURNING (2018)
“it didn’t maintain the thrill when it needed it the most”
Read MoreA BLUEBIRD IN MY HEART (2018)
“Roland Møller - I see him as a Danish Idris Elba. There is a gravitas, physicality, and steely allure to him”
Read MoreTHE CAVE (2019)
“worthy and insightful peer into some atrocious human horrors”
Read MoreCORPUS CHRISTI (2019)
“darkly fun and letting the dramatic tension germinate”
Read MoreLES MISÉRABLES
It isn’t the next La Haine
Read MorePAIN AND GLORY (2019)
“Banderas owns the screen, melting into this pained, adrift, and struggling artist”
Read MoreHONEYLAND (2019)
“Stellar human drama on par with anything”
Read MoreTHE EDGE OF DEMOCRACY (2019)
“ access is extraordinary, as is the summation”
Read MoreFOR SAMA (2019)
“a record not only for her daughter but for the world, to see what we allowed to happen”
Read MoreI LOST MY BODY (2019)
“completely entrancing mix of bizarre adventure, a cinematic interpretation of sense memory, a coming of age romance”
Read MoreMONOS (2019)
“Lord of the Flies meets Kids as they journey down the dark river of Apocalypse Now”
Read MoreTIGERS ARE NOT AFRAID (2017)
“blackly shaded and psychologically viscous as molasses”
Read MoreTHE GANGSTER, THE COP AND THE DEVIL (2019)
“it really is Is just f*cking cool”
Read MorePARASITE (2019)
Fan-f*cking-tastic!
Read MoreLET THE CORPSES TAN (2018)
“beautiful visions of carnal pleasures and elicit violence groggily shimmy through your perception”:
Read MoreTHE FAREWELL (2019)
“fairly fantastic film that kind of evokes that tender emotion”
Read MoreASH IS THE PUREST WHITE (2018)
“A film that rumbles and smolders beneath the surface”
Read MorePOSSUM (2018)
“tattered suburban brown, dirty British scowls and a clutching inability to destroy a puppet”
Read More