THE SUICIDE SQUAD (2021)
“Solid dumb fun adult spectacle that is an easy crowd pleaser”
Read MoreSHIVA BABY (2020)
“It’s a juicy, tense and involving dramatic bagel, slathered with rye wit, salacious brine, and caustic uncertainty.”
Read MoreTHE SPARKS BROTHERS (2021)
“it feels near impossible not to soak in the euphoria of the adventure or foment esteem for Sparks talent & triumphs”
Read MoreSATOR (2019)
“it is the breaking of barriers of art & reality that provide the most intrigue”
Read MoreA SHAUN OF THE SHEEP MOVIE: FARMAGEDDON (2020)
“Always a delight”
Read MoreSENTINELLE (2021)
“story with dedicated heart and some appreciated visual aplomb”
Read MoreSTARDUST (2020)
“Let me worship at my deity’s feet instead of listlessly withering into his flawed and restrained humanity”
Read MoreSAINT MAUD (2021)
“trapped terror of dark catholic femininity”
Read MoreSPONTANEOUS (2020)
“Its flamboyant sprinkles of dark humor detonate continuously”
Read MoreSHADOW IN THE CLOUD (2021)
“pulse-pounding faire, its bounds were too astronomical and its drama thoroughly grounded”
Read MoreSOUND OF METAL (2020)
“A moving and engrossing character piece which Ahmed delivers the best performance of his young career”
Read MoreSORRY WE MISSED YOU (2020)
“a naturalness that invites and embeds within you”
Read MoreSONIC THE HEDGEHOG (2020)
“If only this Sonic movie could have raced a little faster to the finish”
Read MoreTHE SPECIAL (2020)
“Spoilers: it’s a movie about a mysterious box that men put their penises in”
Read MoreA SERIAL KILLER'S GUIDE TO LIFE (2020)
“helma and Louise by way of Fight Club, with the lightest dusting of a God Save America sprinkled on top.”
Read MoreSWALLOW (2020)
“A modern young June Cleaver lost in the swallowing void of upper crust emptiness”
Read MoreSPUTNIK (2020)
“smooth and classy seemingly decent budgeted Russian sci-fi that has a serious half of a problem”
Read MoreSEA FEVER (2020)
“definitely investing enough to keep you locked in for its watery entirety”
Read MoreSHIRLEY (2020)
“Gloom blearily haunts not just the film but the viewing experience”
Read MoreSAINT FRANCES (2020)
“charming without being cloying and extremely identifiable”
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