THE LEDGE (2022)
“Unfortunately, this one quickly loses its grip and plummets to a hazy fate of obscurity and mediocrity”
Read MoreKIMI (2022)
“A fine if somewhat lacking thriller”
Read MoreCARD COUNTER (2021)
“pervasive existential angst and soul consuming stalk”
Read MoreTITANE (2021)
“revels in its insanity and blazes its own trail into an inexplicable immensity”
Read MoreOLD (2021)
“This is hackneyed and taxing”
Read MoreBREAKING SURFACE (2020)
“Lean, anxious, and gripping.”
Read MorePIG (2021)
“we get the idea of a Grizzly Adams John Wick, dive into “food workers Fight Club”, but mostly get a beaten and bloody The Limey in the cutthroat Portlandia food world”
Read MoreGIRL NEXT (2021)
“a grotesque and unsavory dalliance”
Read MoreGREENLAND (2020)
“Greeny is a reverse hourglass film; the beginning and ending are generally average and somewhat dumb, but the middle is robust, gritty, and stirring.”
Read MoreUNHINGED (2020)
“pulse pounding, relatable, and darkly fun”
Read MoreTHOSE WHO WISH ME DEAD (2021)
Sheridan is good at this “rural action thriller” genre
Read MoreTOM CLANCY'S WITHOUT REMORSE (2021)
“Jack Ryan 2.0, who’s more angsty and Wickian/Jack Reacher-ey...I guess”
Read MoreTHE LITTLE THINGS (2021)
“Trying to recapture the gritty and disturbed fortitude of 90s Denzel Washington crime thrillers, but failing”
Read MoreRELENTLESS (2020)
“a swim through the possibilities is better than the film’s sink to the water logged bottom”
Read MoreALONE (2020)
“stripped down terror chase”
Read MoreTHE NEST (2020)
“subtle cryptic spirit of dourness that torments the film”
Read MoreRUN (2020)
“Her terror and struggle is palpable”
Read MorePOSSESSOR (2020)
“Possessor strikes me as the kind of understated brilliance that will be looked back upon as staggering and seminal”
Read MoreHARPOON (2019)
“whole thing is wildly “WTF?!”, but conceptually it was vaguely interesting”
Read MoreLUZ (2019)
“evocative “retro fantastique”, but with a dour european oppression”
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