2019 OSCAR DOCUMENTARY SHORTS
MY PICK: PERIOD. END OF SENTENCE.
Read More2109 OSCAR ANIMATED SHORTS
My Pick: Weekends
Read MoreFREE SOLO (2018)
‘Captivating as we all hang on the cliff face with him”
Read MoreCHRISTOPHER ROBIN (2018)
“hour and a half of ho-hum nothingness and monotonous generic non-drama”
Read MoreRBG (2018)
“superb job of capturing the importance she has brought to the citizenry and the heartfelt relationships of her life”
Read MoreFIRST REFORMED (2018)
“(Ethan Hawke’s aching pain and tortured piety were spectacular rich and worthy.".”
Read MoreBLOCKERS (2017)
“As it stands, it is an uncooked concept sprinkled with underdone parental angst and drizzled with pubescent nonsense; an unsatisfying meal.”
Read MorePOLAR (2019)
“A raging fire of flash and flesh, but resulting in only ruin. “
Read MoreSHOPLIFTERS (2018)
“Shoplifters slowly coils you in an entrancingly satisfying blanket of warmth and affection from the bitter cold of the world around. “
Read MoreIF BEALE STREET COULD TALK (2018)
“A cinematic art piece with thumping jazz accentuating the smoky swirls, both literal and figurative. “
Read MoreTHE PREDATOR (2018)
“it felt more like a joke homage about Predator films than an earnest & violent killer Predator flick”
Read MoreVICE (2018)
‘ I didn’t find the humor in its jabs, the joy in the idiosyncrasies, or the real ability to root around in the other unpleasantness on display”
Read MoreAQUAMAN (2018)
“The epitome of dark commercial style trumping any kind of worthwhile substance”
Read MoreHUSH (2018)
“electrifies that final girl genre fence and battles inside it”
Read MoreBIRD BOX (2018)
“A solid and vaguely enjoyable afternoon/evening time passer, but forgettable”
Read MoreTHE FAVOURITE (2018)
“A wicked delight with a distinctly downtrodden and bitter aftertaste.”
Read MoreKILLING OF A SACRED DEER (2017)
“I can never be sure if I like it, but I envy its complexity and foreignness”
Read MoreTHE RIDER (2017)
“A lithe and sad tumbleweed blowing across the echoed loneliness of crippled dreams and flittered glory”
Read MoreYOU WERE NEVER REALLY HERE (2017)
“a hard film that sits like a dark passenger with you long after the credits end”
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