THE HUNT (2020)
“Societal exploitation, with triggers and triggers”
Read MoreFREAKS (2019)
“A Heroes horror tale that didn’t have the silver lining”
Read MoreTERMINATOR: DARK FATE (2019)
“both a marriage to but spiced invention to the Terminator trope”
Read MoreA BLUEBIRD IN MY HEART (2018)
“Roland Møller - I see him as a Danish Idris Elba. There is a gravitas, physicality, and steely allure to him”
Read MoreBIRDS OF PREY: AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN (2020)
“ I applaud the inclusive effort, but I didn’t like this film”
Read MoreTHE CAVE (2019)
“worthy and insightful peer into some atrocious human horrors”
Read MoreCORPUS CHRISTI (2019)
“darkly fun and letting the dramatic tension germinate”
Read MoreLES MISÉRABLES
It isn’t the next La Haine
Read MoreRICHARD JEWELL (2019)
“you cannot divorce the obvious and overriding political slants towards saber-rattling about the media and a pronounced hit job on it”
Read MorePAIN AND GLORY (2019)
“Banderas owns the screen, melting into this pained, adrift, and struggling artist”
Read MoreHONEYLAND (2019)
“Stellar human drama on par with anything”
Read MoreTHE EDGE OF DEMOCRACY (2019)
“ access is extraordinary, as is the summation”
Read MoreAMERICAN FACTORY (2019)
“A vision of multiculturalism at its hopeful highs and realistic lows”
Read MoreFOR SAMA (2019)
“a record not only for her daughter but for the world, to see what we allowed to happen”
Read MoreI LOST MY BODY (2019)
“completely entrancing mix of bizarre adventure, a cinematic interpretation of sense memory, a coming of age romance”
Read MoreHOW TO TRAIN YOUR DRAGON: HIDDEN WORLD (2019)
“A satisfying end to the series”
Read MoreBOMBSHELL (2019)
“cast was so potent and compelling”
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