BACURAU (2019)
“hot pokers of social jabs, varied & lush cinematic viridity, and a fresh tonal samba”
Read MoreDAUGHTER OF THE WOLF (2019)
“seeds of ideas that never grew into flowering plants”
Read MorePORTRAIT OF A LADY ON FIRE (2019)
“sheer artistry in motion, every magical moment”
Read MoreHAPPY DEATH DAY (2017) & HAPPY DEATH DAY 2U (2019)
“Number 1 is fun. 2 is boo.”
Read MoreREVENGE (2017)
“dust covered neon gunshot to that new pseudo-genre”
Read MoreBURNING (2018)
“it didn’t maintain the thrill when it needed it the most”
Read MoreGEMINI MAN (2019)
“a lifeless clone of an interesting drama filled action movie - impotent and unremarkable”
Read MoreTHE HUNT (2020)
“Societal exploitation, with triggers and triggers”
Read MoreFREAKS (2019)
“A Heroes horror tale that didn’t have the silver lining”
Read MoreTERMINATOR: DARK FATE (2019)
“both a marriage to but spiced invention to the Terminator trope”
Read MoreA BLUEBIRD IN MY HEART (2018)
“Roland Møller - I see him as a Danish Idris Elba. There is a gravitas, physicality, and steely allure to him”
Read MoreBIRDS OF PREY: AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN (2020)
“ I applaud the inclusive effort, but I didn’t like this film”
Read MoreTHE CAVE (2019)
“worthy and insightful peer into some atrocious human horrors”
Read MoreCORPUS CHRISTI (2019)
“darkly fun and letting the dramatic tension germinate”
Read MoreLES MISÉRABLES
It isn’t the next La Haine
Read MoreRICHARD JEWELL (2019)
“you cannot divorce the obvious and overriding political slants towards saber-rattling about the media and a pronounced hit job on it”
Read MorePAIN AND GLORY (2019)
“Banderas owns the screen, melting into this pained, adrift, and struggling artist”
Read MoreHONEYLAND (2019)
“Stellar human drama on par with anything”
Read MoreTHE EDGE OF DEMOCRACY (2019)
“ access is extraordinary, as is the summation”
Read MoreAMERICAN FACTORY (2019)
“A vision of multiculturalism at its hopeful highs and realistic lows”
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