THE MIDNIGHT SKY (2020)
“feels like a Hallmark meets SyFy Channel feature with money from a bigger studio & stars”
Read MoreGREYHOUND (2020)
A dadfernoon WWII fanservice extravaganza
Read MoreCOLLECTIVE (2020)
“might be the best journalism doc or film I have ever seen”
Read MoreROGUE (2020)
“prospects for a mercenaries vs. wild lion starring Megan Fox were pretty low in my estimation, so being vaguely competent felt pretty substantial”
Read MoreLUCKY GRANDMA (2020)
“enjoyable and chain-smokingly jaunty”
Read MoreANYTHING FOR JACKSON (2020)
“A rejuvenating original, spooky, and wisely done horror film”
Read MoreSOUND OF METAL (2020)
“A moving and engrossing character piece which Ahmed delivers the best performance of his young career”
Read MoreSORRY WE MISSED YOU (2020)
“a naturalness that invites and embeds within you”
Read MoreMANK (2020)
“An animated and blustery silver-tongued affair”
Read MoreRUN (2020)
“Her terror and struggle is palpable”
Read MoreHILLBILLY ELEGY (2020)
“not enjoyable, enriching, or a satisfactorily detailed tale”
Read MoreFATMAN (2020)
“leaving any cheer in the trailer and deliberate interest a spent ember of hope”
Read MoreRELIC (2020)
“blends metaphor and malicious materiality into a creeping dread”
Read MorePORNO (2020)
“The cock carnage and ball batterment was top-notch”
Read MoreDOCUMENTARY ROUND-UP (TOTALLY UNDER CONTROL, THE MOLE AGENT, DICK JOHNSON IS DEAD, ETC.)
Totally Under Control and The Mole Agent are two of the best documentaries of the year, but Class Action Park is probably the most fun of all
Read MoreDRIVEWAYS (2020)
“charming and quaint little family feature”
Read MoreTHE MAN WHO FEELS NO PAIN (2019)
“a martial arts superhero-type adventure, via Indian sensibilities and culture smashed with a flamboyant American aesthetic”
Read MoreYES, GOD, YES (2020)
“isn’t a bad film, just surprisingly slow and unfunny”
Read MoreBORAT SUBSEQUENT MOVIE FILM (2020)
“the luster and novelty of Borat has diminished”
Read MorePOSSESSOR (2020)
“Possessor strikes me as the kind of understated brilliance that will be looked back upon as staggering and seminal”
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