NOMADLAND (2020)
“The crush of modern society and the new gig economy juxtaposed with the idyllic & frett freedom of the wayfarer”
Read MoreMULAN (2020)
“the film itself is the dullest of blades, unable to cut tissue, let alone the binding of cultural mores or cinematic ramparts”
Read MoreSAINT MAUD (2021)
“trapped terror of dark catholic femininity”
Read MoreMINARI (2021)
“the struggle of growing up, growing anew, and growing together - in land and in heart”
Read MoreLUZ: THE FLOWER OF EVIL (2019)
“moments of splendor paired with the jumbled cultish familial strife”
Read MoreTHE LITTLE THINGS (2021)
“Trying to recapture the gritty and disturbed fortitude of 90s Denzel Washington crime thrillers, but failing”
Read MoreRELENTLESS (2020)
“a swim through the possibilities is better than the film’s sink to the water logged bottom”
Read MoreMASS (2021)
“cutting journey on the double edged sword of pain that is the lonely search for truth of the parents of a mass shooting”
Read MoreALONE (2020)
“stripped down terror chase”
Read MoreSPONTANEOUS (2020)
“Its flamboyant sprinkles of dark humor detonate continuously”
Read MoreSHADOW IN THE CLOUD (2021)
“pulse-pounding faire, its bounds were too astronomical and its drama thoroughly grounded”
Read MoreANOTHER ROUND (2020)
“Dismaying and droll, depending on which side that bottle cap falls for you”
Read MoreA PROMISING YOUNG WOMAN (2020)
“immersive and corrosive and subversively eruptive”
Read MoreBAD EDUCATION (2020)
“Hugh Jackman killed it”
Read MoreKAJILLIONAIRE (2020)
“strings holding this shaky structure together were gaunt and my amusement was abortive”
Read MoreWONDER WOMAN 1984 (2020)
“They took all the good will, expectation, excitement and hope from the best DCU film to date and gratuitously squandered it.”
Read MoreFUNNY BOY (2020)
“at once too thin and overstuffed simultaneously”
Read MoreWOLFWALKERS (2020)
“Endearing and touching, as most almost all Cartoon Saloon films are”
Read MoreTHE NEST (2020)
“subtle cryptic spirit of dourness that torments the film”
Read MoreMA RAINEY'S BLACK BOTTOM (2020)
“delivers power, emotion, and a vivid cinematic ferocity”
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