SOUND OF METAL (2020)
“A moving and engrossing character piece which Ahmed delivers the best performance of his young career”
Read MoreSORRY WE MISSED YOU (2020)
“a naturalness that invites and embeds within you”
Read MoreMANK (2020)
“An animated and blustery silver-tongued affair”
Read MoreRELIC (2020)
“blends metaphor and malicious materiality into a creeping dread”
Read MoreTHE TRIAL OF THE CHICAGO 7 (2020)
“packs a dramatic punch while coyly slipping in some wry humor”
Read MoreDOGS DON'T WEAR PANTS (2019)
“beautiful moments of palatable pain and tangible tenderness”
Read MoreWRATH OF SILENCE
“Its action is vital and naturalistic”
Read MoreI'M THINKING OF ENDING THINGS (2020)
“Not for all or even many, but brilliant nonetheless”
Read MoreTHE VAST OF NIGHT (2020)
“a usual story told in a unique way that made the entire film feel extraordinary”
Read MorePALM SPRINGS (2020)
“Dinosaurs. Missing teeth. Cake explosives. Yes please.”
Read MoreBLOOD MACHINES (2020)
“Blood sugar sex magik (sub in steel for sugar)”
Read MoreVFW (2020)
“tale of old vets being waylaid by zombie-esque junkies is grainy and bleakly zany”
Read MoreSAINT FRANCES (2020)
“charming without being cloying and extremely identifiable”
Read MoreIN FABRIC (2019)
“80’s horror shlock concept, done with class and intention”
Read MoreA PRAYER BEFORE DAWN (2017)
“A caustic prison drama with the punchiness of sports action”
Read MoreBACURAU (2019)
“hot pokers of social jabs, varied & lush cinematic viridity, and a fresh tonal samba”
Read MoreREVENGE (2017)
“dust covered neon gunshot to that new pseudo-genre”
Read MoreCORPUS CHRISTI (2019)
“darkly fun and letting the dramatic tension germinate”
Read MorePAIN AND GLORY (2019)
“Banderas owns the screen, melting into this pained, adrift, and struggling artist”
Read MoreTHE EDGE OF DEMOCRACY (2019)
“ access is extraordinary, as is the summation”
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