SORRY WE MISSED YOU (2020)
“a naturalness that invites and embeds within you”
Read MoreMANK (2020)
“An animated and blustery silver-tongued affair”
Read MoreHILLBILLY ELEGY (2020)
“not enjoyable, enriching, or a satisfactorily detailed tale”
Read MoreRELIC (2020)
“blends metaphor and malicious materiality into a creeping dread”
Read MoreDRIVEWAYS (2020)
“charming and quaint little family feature”
Read MoreYES, GOD, YES (2020)
“isn’t a bad film, just surprisingly slow and unfunny”
Read MorePOSSESSOR (2020)
“Possessor strikes me as the kind of understated brilliance that will be looked back upon as staggering and seminal”
Read More#ALIVE (2020)
“An otaku gets stuck in his apartment during the zombie apocalypse”
Read MoreTHE HOLE IN THE GROUND (2019)
“Hole is an enticing creeper that gives a little too much away”
Read MoreCUTIES (2020)
“never done to aggrandize or proliferate, but to recognize, analyze, and critique that penchant within our modern world to precipitantly plant the mature despite its harmful fruit”
Read MoreTHE TRIAL OF THE CHICAGO 7 (2020)
“packs a dramatic punch while coyly slipping in some wry humor”
Read MoreA SERIAL KILLER'S GUIDE TO LIFE (2020)
“helma and Louise by way of Fight Club, with the lightest dusting of a God Save America sprinkled on top.”
Read MoreSWALLOW (2020)
“A modern young June Cleaver lost in the swallowing void of upper crust emptiness”
Read MoreBECKY (2020)
A Joker for tween girls
Read MoreDOGS DON'T WEAR PANTS (2019)
“beautiful moments of palatable pain and tangible tenderness”
Read MoreWRATH OF SILENCE
“Its action is vital and naturalistic”
Read MoreSPUTNIK (2020)
“smooth and classy seemingly decent budgeted Russian sci-fi that has a serious half of a problem”
Read MoreI'M THINKING OF ENDING THINGS (2020)
“Not for all or even many, but brilliant nonetheless”
Read MoreTESLA (2020)
“fanciful dallies between dry history and delusional panache”
Read MoreCAPONE (2020)
“Hardy grumbles, gruffs, and grunts through an invested but incomprehensible Alphonse Capone”
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