ROGUE (2020)
“prospects for a mercenaries vs. wild lion starring Megan Fox were pretty low in my estimation, so being vaguely competent felt pretty substantial”
Read MoreHILLBILLY ELEGY (2020)
“not enjoyable, enriching, or a satisfactorily detailed tale”
Read MorePORNO (2020)
“The cock carnage and ball batterment was top-notch”
Read MoreYES, GOD, YES (2020)
“isn’t a bad film, just surprisingly slow and unfunny”
Read MoreKILLERS WITHIN (2019)
“its main selling point is the reptillians”
Read MoreHARPOON (2019)
“whole thing is wildly “WTF?!”, but conceptually it was vaguely interesting”
Read MoreTHE WRATH (2019)
“reliance on jump scares when some of the mood setup is creepily effective was a mistake”
Read MoreGRETEL & HANSEL (2020)
“all icing, rich, decadent and lavish, but merely empty topping on a bland and un-enticing cake”
Read MoreLUZ (2019)
“evocative “retro fantastique”, but with a dour european oppression”
Read MoreBLOOD VESSEL (2020)
“vampires on a Nazi ship that must be fought off” is what was promised and is exactly what they gave you
Read MoreBECKY (2020)
A Joker for tween girls
Read MoreNEW MUTANTS (2020)
“it is not outright bad, nor the worst of the X titles”
Read MoreGET DUKED (2020)
“a comedy without the funny is a fail”
Read MoreTESLA (2020)
“fanciful dallies between dry history and delusional panache”
Read MoreCAPONE (2020)
“Hardy grumbles, gruffs, and grunts through an invested but incomprehensible Alphonse Capone”
Read MoreMURDER DEATH KOREATOWN (2020)
“I was ready for it to die”
Read MoreBLOODSHOT (2020)
it is a vacant and forgettable comic based “yeah, that happened”
Read MoreTHE BEACH HOUSE (2020)
“could lead to gripping dramatic horror, but it just doesn’t have the sea legs for that swim”
Read MoreSHIRLEY (2020)
“Gloom blearily haunts not just the film but the viewing experience”
Read MoreTHE ODDS (2018)
“significantly sleazy and overly sadistic, but what does one expect in a movie about such things”
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