PORTRAIT OF A LADY ON FIRE (2019)
“sheer artistry in motion, every magical moment”
Read MoreBURNING (2018)
“it didn’t maintain the thrill when it needed it the most”
Read MoreGEMINI MAN (2019)
“a lifeless clone of an interesting drama filled action movie - impotent and unremarkable”
Read MoreFREAKS (2019)
“A Heroes horror tale that didn’t have the silver lining”
Read MoreA BLUEBIRD IN MY HEART (2018)
“Roland Møller - I see him as a Danish Idris Elba. There is a gravitas, physicality, and steely allure to him”
Read MoreCORPUS CHRISTI (2019)
“darkly fun and letting the dramatic tension germinate”
Read MoreLES MISÉRABLES
It isn’t the next La Haine
Read MoreRICHARD JEWELL (2019)
“you cannot divorce the obvious and overriding political slants towards saber-rattling about the media and a pronounced hit job on it”
Read MorePAIN AND GLORY (2019)
“Banderas owns the screen, melting into this pained, adrift, and struggling artist”
Read MoreI LOST MY BODY (2019)
“completely entrancing mix of bizarre adventure, a cinematic interpretation of sense memory, a coming of age romance”
Read MoreBOMBSHELL (2019)
“cast was so potent and compelling”
Read MoreTHE TWO POPES (2019)
“Pryce was so tangible and realized; a fantastic performance”
Read MoreHARRIET (2019)
“Erivo is good, but the film doesn’t have a ton of heart or exhilaration”
Read MoreJUDY (2019)
“I guess Zellweger was good, for what that is worth”
Read MoreUNDERWATER (2020)
“Unfortunately, beyond its concept, there isn’t much keeping this one afloat.”
Read More1917 (2019)
“aligns itself well in the annals of indisputable cinematic glory”
Read MoreWILD ROSE (2018)
“breathes life into hardened lungs”
Read MoreTHE ART OF SELF-DEFENSE (2019)
“A diatribe about the unsavory nature of toxic masculinity, told in a quirk-filled humorous way”
Read MoreHER SMELL (2018)
“Brilliant, vulnerable and caustic performance by Moss”
Read MoreROCKETMAN (2019)
“you will be left humming the wonderful tunes”
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