COLLECTIVE (2020)
“might be the best journalism doc or film I have ever seen”
Read MoreSORRY WE MISSED YOU (2020)
“a naturalness that invites and embeds within you”
Read MoreTHE MAN WHO FEELS NO PAIN (2019)
“a martial arts superhero-type adventure, via Indian sensibilities and culture smashed with a flamboyant American aesthetic”
Read MoreKILLERS WITHIN (2019)
“its main selling point is the reptillians”
Read MoreVIOLENCE VOYAGER (2019)
“a little succor at the sinewy teat of the strange”
Read More#ALIVE (2020)
“An otaku gets stuck in his apartment during the zombie apocalypse”
Read MoreTHE HOLE IN THE GROUND (2019)
“Hole is an enticing creeper that gives a little too much away”
Read MoreCUTIES (2020)
“never done to aggrandize or proliferate, but to recognize, analyze, and critique that penchant within our modern world to precipitantly plant the mature despite its harmful fruit”
Read MoreTHE WRATH (2019)
“reliance on jump scares when some of the mood setup is creepily effective was a mistake”
Read MoreA SERIAL KILLER'S GUIDE TO LIFE (2020)
“helma and Louise by way of Fight Club, with the lightest dusting of a God Save America sprinkled on top.”
Read MoreLUZ (2019)
“evocative “retro fantastique”, but with a dour european oppression”
Read MoreDOGS DON'T WEAR PANTS (2019)
“beautiful moments of palatable pain and tangible tenderness”
Read MoreWRATH OF SILENCE
“Its action is vital and naturalistic”
Read MoreTHE COURIER (2019)
“might pass your time, but you wouldn’t be out of bounds to just pass it by”
Read MoreWHY DON'T YOU JUST DIE! (2020)
“ballsy violent expressionism”
Read MoreSPUTNIK (2020)
“smooth and classy seemingly decent budgeted Russian sci-fi that has a serious half of a problem”
Read MoreGET DUKED (2020)
“a comedy without the funny is a fail”
Read MoreSEA FEVER (2020)
“definitely investing enough to keep you locked in for its watery entirety”
Read MoreTHE POOL (2019)
“It just becomes untenable and overwrought, almost to the point of a joke. If only it was funny...”
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