BIT (2020)
‘Female empowered vampires that keeps the genre fresh and femme”
Read MoreSWALLOW (2020)
“A modern young June Cleaver lost in the swallowing void of upper crust emptiness”
Read MoreBECKY (2020)
A Joker for tween girls
Read MoreDOGS DON'T WEAR PANTS (2019)
“beautiful moments of palatable pain and tangible tenderness”
Read MoreVEROTIKA (2019)
“no tongue to put in cheek because it has been cut out”
Read MoreDEEP BLUE SEA 3 (2020)
“I am saying it’s worth taking a bite out of”
Read MoreCRIP CAMP (2020)
“truly grapples that cold hollow walnut that I call a heart”
Read MoreWRATH OF SILENCE
“Its action is vital and naturalistic”
Read MoreTHE COURIER (2019)
“might pass your time, but you wouldn’t be out of bounds to just pass it by”
Read MoreWHY DON'T YOU JUST DIE! (2020)
“ballsy violent expressionism”
Read MoreSPUTNIK (2020)
“smooth and classy seemingly decent budgeted Russian sci-fi that has a serious half of a problem”
Read MoreFEELS GOOD MAN (2020)
“the symbiosis of ideas and the Internet”
Read MoreI'M THINKING OF ENDING THINGS (2020)
“Not for all or even many, but brilliant nonetheless”
Read MoreTENET (2020)
“even if I did not love it, I cannot deny the sheer magnitude, will, and craft on display”
Read MoreNEW MUTANTS (2020)
“it is not outright bad, nor the worst of the X titles”
Read MoreGET DUKED (2020)
“a comedy without the funny is a fail”
Read MoreAVENGEMENT (2019)
“no-nonsense knock a nonce”
Read MoreTHE WRETCHED (2020)
“it doesn’t fly far above the witchy tree line”
Read MoreTESLA (2020)
“fanciful dallies between dry history and delusional panache”
Read MoreCAPONE (2020)
“Hardy grumbles, gruffs, and grunts through an invested but incomprehensible Alphonse Capone”
Read More