UNDERWATER (2020)
“Unfortunately, beyond its concept, there isn’t much keeping this one afloat.”
Read More1917 (2019)
“aligns itself well in the annals of indisputable cinematic glory”
Read MoreWILD ROSE (2018)
“breathes life into hardened lungs”
Read MoreTHE ART OF SELF-DEFENSE (2019)
“A diatribe about the unsavory nature of toxic masculinity, told in a quirk-filled humorous way”
Read MoreHER SMELL (2018)
“Brilliant, vulnerable and caustic performance by Moss”
Read MoreROCKETMAN (2019)
“you will be left humming the wonderful tunes”
Read MoreGENERAL MAGIC (2018)
“enjoy this tech ride and see where our now ubiquitous technology came from”
Read MoreLITTLE WOMEN (2019)
“I laughed, I kind of cried (welling up counts), and I relished near each moment.”
Read MoreCATS (2019)
“watching them writhe, undulate, and profess their passion for some mystical unknown through indecipherable gibberish”
Read MoreUNCUT GEMS (2019)
“masters of their craft putting me in a hole of pulverizing despair”
Read MoreMIDSOMMAR (2019)
“the film is a work of unease and art”
Read MoreAD ASTRA (2019)
“ sociopathically serene space-by-the-numbers”
Read MoreTHE IRISHMAN (2019)
“it was missing the magic of his true gangster classics, simply providing a capable facsimile”
Read MoreMARRIAGE STORY (2019)
“engaging humor, mundane naturalness, and profound pain”
Read MoreLAST BLACK MAN IN SAN FRANCISCO (2019)
“Instantly unique, specifically gorgeous, and blatantly powerful”
Read MoreMONOS (2019)
“Lord of the Flies meets Kids as they journey down the dark river of Apocalypse Now”
Read MoreDOLEMITE IS MY NAME (2019)
“Perhaps the most outright fun time I have had in the theater this year”
Read MoreSTAR WARS: RISE OF SKYWALKER (2019)
“It just passed by my glazed over eyes, like the ghost of my lost Star Wars phasing through my hardened heart.”
Read More6 UNDERGROUND (2019)
“…cuts, cranes, tna, splosions, close-ups, extremes, tna, flashy cars, big guns, splosions…”
Read MoreAPOLLO 11 (2019)
“had me feeling the danger and excitement,”
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